Mac Rating: 5.00 | Votes: 1 | Date: 03/07/2026 00:52:00
A wave of steam-bent oak now cocoons the stage where The Color Purple first met an audience. The Coca-Cola Stage at Alliance Theatre, inside the Woodruff Arts Center's Memorial Arts Building at 1280 Peachtree Street NE in Midtown Atlanta, is the renamed and rebuilt main stage of the Alliance Theatre, the Tony Award-winning regional company founded in 1968 on a campus it shares with the Atlanta Symphony Orchestra and the High Museum of Art - one of the largest arts centres in the world, drawing more than 1.2 million patrons a year. The company's first major reinvention came with a 32-million-dollar transformation designed by Trahan Architects: the 1968 auditorium was gutted to its concrete walls while the Alliance played its entire 2017-18 season across a dozen borrowed metro venues, and the room reopened in January 2019 as something wholly new. Seating dropped from 770 to 650 and the audience moved ten to fifteen feet closer to the stage; ramps replaced lifts, wheelchair positions were built into every level including centre orchestra - exceeding accessibility requirements by a quarter - and the barrier between balcony and orchestra vanished into one continuous, communal room. The signature is the woodwork. Sculptor Matthias Pliessnig, master of steam-bent furniture, collaborated with Trahan on hundreds of undulating white-oak panels - milled from fallen trees, bent in New Hampshire workshops - that flow across nearly every surface, each curve tuned by the acousticians so the nest of timber is as functional as it is beautiful. Atlanta's City in a Forest nickname and Georgia's wooden-bowl craft traditions supplied the imagery. On this stage and its predecessor the Alliance has premiered more than one hundred works, many Broadway-bound - Elton John and Tim Rice's Aida, The Color Purple and The Prom among them - and its season of world premieres, classics and a nationally admired education program continues under the Coca-Cola name that reflects the hometown company's long patronage.
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