In my defence,
I was left unsupervised
Mac Rating: 5.00 | Votes: 1 | Date: 03/07/2026 01:11:00

The founders modelled the room on the Prague opera house where Mozart premiered Don Giovanni - then filled it with Southern folk art and plugged in the amplifiers. House of Blues Chicago, at 329 North Dearborn Street in the Marina City complex on the Chicago River, opened on 23 November 1996 in what its creator called "a new opera house for Chicago, because blues is the original American operatic music." The building came with stories of its own: Bertrand Goldberg's saddle-shaped theatre structure beside the corncob towers began as a cinema and spent two decades as WFLD's television studios before sitting derelict. Isaac Tigrett - Hard Rock Cafe co-founder and House of Blues creator - spent over 20 million dollars converting it, with Dan Aykroyd, Jim Belushi and John Goodman arriving at the 1995 groundbreaking by vintage railcar in full Blues Brothers black. The hall's design is the chain's most opulent: a vertical, gilded opera-house bowl of roughly 1,400 capacity whose tiers of ornate boxes stack close over the general-admission floor, walls crusted with works by Howard Finster, Mose Tolliver and hundreds of other self-taught Southern artists. The booking made it indispensable: under longtime talent buyer Michael Yerke the room became a haven for hip-hop, extreme metal and punk acts that other Chicago venues would not touch, alongside blues, rock and R&B - a genre breadth that made the club a vital organ of the city's music ecosystem rather than the tourist box its address suggested. The restaurant's Gospel Brunch and back-porch stage keep music running seven days. Practical notes: the venue sits across from the Reid Murdoch Center steps from the State/Lake L cluster, with Marina City's garage above; most shows are general admission with limited balcony reserved seating, and the ornate main bar merits arriving early.

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