What do you folks
do for entertainment
round these parts?
Mac Rating: 5.00 | Votes: 1 | Date: 19/06/2026 22:34:00

Opened on 24 July 1939 as Seattle's grandest dine-and-dance rendezvous, the Showbox has spent more than eight decades as a fixture of the city's music scene. Veteran theatre owner Michael Lyons converted a 1917 market building across First Avenue from Pike Place Market into a supper club and performance space, spending around 100,000 dollars on a Streamline Moderne remodel and opening with a varied bill that included a swing harpist, comedy and even a dancing dog. Over the years the room has worn many guises, billed at various times as a theatre, a cabaret and a ballroom, and pressed into service as a furniture showroom during the 1962 World's Fair, a teenage dance club called The Gathering and a Jewish bingo parlour that occasionally rented out for rock shows. Through all of it, the venue kept returning to live music. Its stage tells the story of American popular music across generations, from jazz-age icons such as Duke Ellington and Muddy Waters to punk visitors like the Ramones, grunge-era acts including Pearl Jam and Soundgarden, and later stars from Prince and Coldplay to Macklemore and Lorde. That breadth has made the roughly 1,130-capacity room one of the few surviving venues able to claim such a span of history. Owned since 2007 by AEG Presents, which also opened a larger sister venue, Showbox SoDo, the room remains prized for its intimate atmosphere in the heart of the Pike Place Market district. In 2018 a proposed high-rise apartment development threatened the building with demolition, sparking a preservation campaign backed by musicians including Pearl Jam. That campaign, and a subsequent city ordinance, helped protect the site, and the Showbox was designated a Seattle landmark in 2019. Its survival cemented a cultural status earned over decades of nurturing both touring legends and local up-and-comers, keeping one of the country's historic mid-sized music halls active in downtown Seattle.

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